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In 2007, Robert Plant \u0026amp; Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock's greatest frontmen with one of country music's finest and most honored artists, produced by the legendary T Bone Burnett. Now, after 14 years, they return with Raise the Roof, 12 songs from a range of traditions and styles that extend this remarkable collaboration in new and thrilling directions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e","brand":"Landspeed Records Canberra","offers":[{"title":"Default Title","offer_id":39681972699271,"sku":"","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/7303\/7908\/products\/524324-Product-0-I-637644351500930508_540x_1e0eac17-074d-405f-a7ea-c8ccefca1d5a.jpg?v=1638939199"},{"product_id":"orville-peck-bronco-double-vinyl","title":"Orville Peck 'Bronco' DOUBLE VINYL","description":"\u003cp data-mce-fragment=\"1\"\u003eBronco is the new album from country artist and songwriter Orville Peck. 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Featuring the tracks “Been To The Mountain,” “Change Of Heart,” “Light Me Up,” and more, this LP is pressed on sangria marble vinyl for RSD Black Friday 2023.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE A:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Intro (0:27)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Letting Me Down (4:13)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Been To The Mountain (5:25)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Change of Heart (5:40)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE B:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. 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The self-titled album from singer-songwriter-producer Zach Bryan is an expansive yet intimate 16-track set that explores the Grammy-nominated artist's Oklahoma roots as well as his vast and varied confluence of musical and literary influences. Written and produced by Bryan himself, this album is a raw and unfiltered communique from the songs' creator directly to the heart of his global audience. The album boasts appearances from The Lumineers on the song \"Spotless,\" country superstar Kacey Musgraves on album highlight \"I Remember Everything,\" as well as features from Sierra Ferrell on \"Holy Roller\" and The War and Treaty on \"Hey Driver.\" Other standout tracks, which capture Bryan's honest and relatable storytelling and poignant delivery, are \"El Dorado,\" \"Tourniquet,\" and album-closer \"Oklahoma Son.\"\u003c\/span\u003e","brand":"Landspeed Records Canberra","offers":[{"title":"Default Title","offer_id":40937303179399,"sku":"","price":89.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/7303\/7908\/files\/658617-Product-0-I-638301640206136209.webp?v=1707976659"},{"product_id":"emma-donovan","title":"Emma Donovan 'Til My Song Is Done' EUCALYPTUS GREEN VINYL","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePRE-ORDER TITLE - OUT 19\/4\/24\u003c\/p\u003e\n\u003cp\u003eEmma Donovan releases her first ever solo album ‘Til My Song Is Done’.\u003c\/p\u003e\n\u003cp\u003eTapping into her childhood memories for inspiration Emma has created a stunning body of work featuring fellow Australian music royalty such as Paul Kelly and Liz Stringer. \u003c\/p\u003e\n\u003cp\u003eThis record is about Emma stepping into her own magnificence, an instant classic to add to the collection!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLISTING: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChange Is Coming (ft. 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Over the course of just 10 days, they cut 12 tracks live at the legendary Sunset Sound in Los Angeles. Crockett’s Island Records debut is a culmination of all that has come before, with the same unapologetic spirit, die-hard work ethic, and no nonsense honesty that has driven his artistry across his 14 previous studio albums. In the end, Lonesome Drifter takes stock of Charley’s road in the rearview as it paves a path into the future. 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These are a few of the questions lurking under the bleachers of Wednesday's new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that-like many of the most arresting passages from the North Carolina band's highlight reel so far-thoughtfully explores the vivid link between curiosity and confession.Bleeds is not only the best Wednesday record-it's also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman-founder, frontwoman, and primary lyricist-credits Wednesday's tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that's been both rewarding and relentless. \"Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential 'Wednesday Creek Rock' album,\" Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they've refined the formula that makes them one of the most interesting rock bands of their generation. \"This is what Wednesday songs are supposed to sound like,\" she said. \"We've devoted a lot of our lives to figuring this out-and I feel like we did.\"Just like Rat Saw God, one of the defining rock \u0026amp; roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who's been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates-Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake \"M.J.\" Lenderman (guitar)-worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism-not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman's masterfully subjective approach to detail selection.Every image or scene is filtered through Hartzman's agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman's specific obsessions and vulnerabilities, about the fragmented way she processes the world. 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Yankee Hotel Foxtrot also was featured in multiple decade-end lists, with Rolling Stone naming it #3 Album of the 2000s, as well as many Greatest Albums of All Time lists, including in the NME.Among Yankee’s inspirations was a recording Tweedy bought at Tower Records in the late 1990s, The Conet Project: Recordings of Shortwave Numbers Stations. As Bob Mehr points out in his new album note, the record got “deep under Tweedy’s skin.” Tweedy said in his 2017 memoir, Let’s Go (So We Can Get Back), “It was as fascinating to me as anything being made by actual musicians using actual instruments … I wanted to know why it was so hypnotic to me. Why could I listen to hours of this stuff, even though I had no clue what any of them were saying. That question became the foundation for Yankee Hotel Foxtrot … the way people communicated or ultimately failed to communicate.” The album takes its title from a haunting recording of a woman repeating those words that is included in The Conet Project; that recording is sampled in the penultimate song on Yankee Hotel Foxtrot, “Poor Places.”“Conceptually, Tweedy had decided to focus on a big idea for the next album: the state of America. His lyrics—often distilled from scribbled pages of free verse or poetry—became a form of inquiry,” Mehr continues. Tweedy said, in 2004, “I wanted to write about the stuff right in front of my eyes, microscopically looking at America and asking questions about each little thing … How can there be all these good things and things that I love about America, alongside all of these things that I’m ashamed of? And that was an internal question, too; I think I felt that way about myself.”Mehr says, “Exploring those questions, while weaving in strands of Eastern philosophy and bits of autobiography—Yankee lyrics would be loaded with the pained imagery of someone suffering from migraines and mental health issues—Tweedy would conjure a deep examination of both country and self.”Describing the uncanny, strangely prescient feeling of the album, which Wilco began offering as a free stream on its website in 2001, Mehr notes: “In the wake of 9\/11, Yankee Hotel Foxtrot would be burdened with unintended meaning. The disc had originally been scheduled for a September 11 release. Its cover—a Sam Jones-shot image of Chicago’s twin Marina Towers angled in looming fashion—bore an eerie resemblance to the felled World Trade Center towers. And the songs—with titles like ‘Ashes of American Flags’ and ‘War on War,’ and lyrics about how ‘tall buildings shake, sad voices escape’—took on a terrible new resonance.”\u003c\/p\u003e","brand":"Landspeed Records Canberra","offers":[{"title":"Default Title","offer_id":43361337311367,"sku":null,"price":89.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0264\/7303\/7908\/files\/s-l1600_2a01f968-90f3-4640-98f1-83c0efb0445c.webp?v=1761088706"},{"product_id":"kacey-musgraves-pagent-material-10th-anniversary-gold-glitter-vinyl","title":"Kacey Musgraves 'Pagent Material (10th Anniversary) GOLD GLITTER VINYL","description":"\u003cp\u003eThe standout, sophomore album from Kacey Musgraves, 'Pageant Material,' turns 10. 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The collection draws from a love of Texas dancehall classics, humorous takes on the human \u003c\/span\u003e\u003cspan\u003econdition, and the space where traditional Country borders many sounds, including Norteño and even Zydeco. \u003c\/span\u003e\u003cspan\u003eFresh yet familiar, and classically Kacey: honest, fearless, immersive, and always ready to wink at life’s twists and \u003c\/span\u003e\u003cspan\u003eturns. 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